Author Archives: Terence Carter

Weekend Eggs: the New York City Edition

New Yorkers love their café breakfasts and we’ve been enjoying eating them here. Probably the most popular item on any New York café or restaurant brunch menu is Eggs Benedict: a toasted English muffin, some good ham (often from Canada), soft-poached eggs, hollandaise sauce, and perhaps some chives for colour and a slightly peppery counterpoint flavour. Lara had a particularly delicious one with a Moroccan twist at Cafe Mogador in the East Village.

While it’s a weekend eggs dish that never goes out of style, I’ll let you in on a little secret: it’s a dish that I’ve always used to test out cafés when I’m reviewing them. Why? While the dish appears deceptively simple, it requires skill to get it perfect – and get it to the table hot.

I’ve written about poaching eggs at home at length in my Weekend Eggs series over the last few months, but poaching eggs in a commercial restaurant situation is a completely different situation. Whether poaching the eggs beforehand and holding them so that they’re still soft-centred after reheating or poaching them to order, in a busy kitchen, and with orders piling up, requires skill. It’s all too easy to overcook the eggs, have them turn out tasting of vinegar from the poaching process, have them arrive stone cold, or have them arrive as a stringy mess from bad technique.

Hollandaise (essentially warmed egg yolks, clarified butter, cracked pepper, salt, lemon juice, white wine or white wine vinegar, and cayenne pepper) can test even the most accomplished chefs. Making it is an art requiring great timing, plenty of wrist action with a whisk, and a keen eye. The sauce can easily split or curdle. The finished sauce is thick in texture, but fluffy – not easy to achieve. And a batch should not be held for more than an hour unless you like making people ill – although some disagree on just how long you can hold the sauce.

One of our favourite cafés in Sydney, Australia, which we used to frequent every weekend when we were first starting to become a little obsessed with food, would turn out hundreds of plates of Eggs Benedict over a weekend. One cook’s only job was to keep making batches of hollandaise, while another poached eggs continuously, and yet another assembled the dish. They were consistently delicious.

One of the reasons making Eggs Benedict is generally expensive is because of the labour involved. It’s okay to pay $18–$20 for the dish if it’s made well. But that’s a big if. I’ve seen it done with horrifying ‘hollandaise’ from a Tetra-Pak carton. I’ve seen fatty, greasy bacon (as if the hollandaise itself isn’t calorific enough) used instead of ham. I’ve seen French baguettes instead of the classic English muffin. I’ve seen cold eggs placed on the muffin, sauce pored over, and then the dish placed in a broiler to heat the eggs. I once had all the aforementioned crimes against Eggs Benedict presented on the one plate.

So why would you bother wasting time making it when you can go to a café and order it? If you know a place that does it well, doesn’t break any of the rules, and doesn’t charge like a wounded bull for it, I say don’t bother making it at home. That is, unless you’re really interested in cooking. Why? Because hollandaise is one of the master sauces of French cooking and learning to make it gives you skills that will serve you well.

My favourite way of making it is the more complex, traditional way, where sliced shallots, cracked pepper and vinegar are simmered in a pan until almost dry, and then a couple of tablespoons of water are added to make a reduction. The eggs are added, and then clarified butter and lemon juice to taste. It’s complex, rich and delicious.

I like to ‘cook’ the sauce in a metal mixing bowl over a pot of simmering water (the bowl shouldn’t touch the water), lifting the bowl out of the pot to control the temperature. And controlling the temperature is very important. The most common problem most people strike is that the eggs start to cook. If this does happen, I take the bowl off the heat and add an ice cube, stirring vigorously to bring the temperature down. The other problem is that the sauce can ‘split’ or ‘break’, which is when you can see a separation of the eggs and ‘water’. The best fix is to have another mixing bowl with a tablespoon of water in it and then add the hollandaise slowly to this while stirring vigorously.

A couple of final notes… Hollandaise should be ‘lemony’ and rich and have a little cayenne pepper in it. Some would argue that hollandaise is only butter, egg yolks and lemon juice. Some people don’t like it lemony or with cayenne pepper – it’s still hollandaise if it’s not too ‘lemony’ or doesn’t has cayenne pepper, it’s just not the classic version. There are recipes around that mention Hollandaise and blender in the one sentence. If you do want to go that route, make it the classic way first so you understand the difference.

Ingredients for Hollandaise Sauce (makes a batch good enough for 4 serves of Eggs Benedict)
1 shallot, chopped finely
¼ cup white vinegar
a few peppercorns
a bay leaf
¼ cup water
4 large farm fresh, free-range eggs – yolk only
200ml clarified butter
lemon juice to taste (1–2 tablespoons)
cayenne pepper to taste
salt to taste

Ingredients for Eggs Benedict (serves 4)
Hollandaise sauce (see above)
4 large farm fresh, free-range eggs
2 English muffins sliced in half
Plenty of slices of good quality ham
1 bunch of chives

Directions for Hollandaise Sauce
1. Add the first 4 ingredients to a pan over medium high heat and simmer until nearly dry
2. Add the water and reduce a little again, then strain.
3. In a metal mixing bowl, add the eggs and the reduction.
4. Over a pot of simmering water, whisk the eggs and the vinegar reduction with a wire whisk until it thickens – but doesn’t start to scramble.
5. Add a little of the clarified butter and incorporate that into the sauce fully.
6. Slowly add the rest of the butter, making sure to incorporate it fully.
7. The mix should have the consistency of thickened cream and a glossy surface. Remove from the heat.
8. Add a little salt, a little lemon juice, and a little cayenne pepper to taste.
9. The sauce can now be ‘held’ in a warm place for around an hour. Add a little water if it becomes to thick.

Direction for Eggs Benedict
1. Toast the muffin slices.
2. Poach the eggs as per this post.
3. Place the ham on the muffin slices.
4. Top with the poached eggs and the warm sauce.
5. Add chopped chives and serve immediately.
6. If you’ve pulled it off, champagne goes very well with this dish!

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A Balinese Royal Cremation Ceremony

Kiki was adamant. ”There is a Royal Cremation tomorrow,” she told us, “You must go!” Our villa manager, Kiki had made it her mission to ensure we were getting the breadth of Bali’s local experiences.

And while I’m not one for taking photos at funerals (err, or weddings, for that matter), Kiki was right. Mengwi’ Queen Ida Tjokorda Istri Winten from Puri Ageng Mengwi had passed away and, as a cremation of the highest level, it was an event not to be missed.

While I had the first leg of a long haul flight to the United States later that day, I got up early so I could be there by 8am to photograph the event. (Lara sadly had to stay home.) The only problem was that when I arrived they were nowhere near ready with the preparations and the cremation was scheduled for noon – when we were meant to be on our way to the airport.

Fortunately, the preparations were fascinating – teams of people were in charge of different elements and were hurrying about getting ready for the event, putting up decorations and arranging offerings – and the disappointment of missing the actual cremation was offset by the atmosphere, the friendliness of the staff looking after the press there to cover the event, and the gamelan orchestra that was playing.

The woman in charge of the journalists and photojournalists insisted that I get out of the sun and have a cup of coffee and eat the little package of rice and other goodies they provided. The gamelan orchestra was wonderful, with both wind and string instruments present, as well as the usual metallophones, xylophones, drums and gongs.

I may not have seen the cremation itself, but my experience of the event reinforced the warmth of the Balinese people and the depth of their rich culture.

Now that was an experience getting up early for – and one I wouldn’t have had at Kuta beach!

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Scenes from Villa Tukad, Bali

Sometimes words and photos are not enough…

Scenes from Villa Tukad, Bali. from Gran Tourismo on Vimeo.

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Cooking with Desak in Bali

Our cook at our Balinese villa, Desak, trained and worked as a waitress at one of Bali’s five-star hotels. In addition to her seemingly effortless ability to turn out Balinese classics, Desak also cooks Western food, but isn’t quite as confident at doing so. Most villa guests opt for Balinese or pan-Indonesian cuisine when eating in, but occasionally guests (and the owner when he’s there) want a break from local cuisine.

Desak possesses the most important quality of a good chef, a sense of balance with every dish she makes – she has ingredient amounts and seasoning down pat. Sensing Desak would be an easy student, Lara, with her usual generosity of spirit, offered my services to teach her some new recipes if she taught me some Balinese dishes, which you can read about here, here and here – a kind of cooking exchange programme.

I spent the first week at the villa deciding what dishes I would teach Desak that she could make quite easily in the villa kitchen using ingredients that were readily available. Desak wanted to learn a couple of sauces to go with steak, a seafood dish that would use salmon or tuna, and whatever else I felt would be easy to make with local ingredients, but with a Western or Asian ‘fusion’ twist.

Here’s what I decided to make:
Sweet potato and ginger soup with shrimps
Prawns with avocado
Ginger scallion noodles
Salmon with colcannon
Steak with mushroom or pepper sauce

Somewhat irrationally, I decided on the list of recipes before really making sure that I could get everything fresh, so my shopping trip to purchase the ingredients was a minor disaster. Avocados were either very expensive or hard as a rock. The local rump steak is so tough that locals tenderise it mercilessly before cooking. I bought some ‘bacon’ that I thought would be a decent substitute for pancetta (which adorns the salmon dish) which was so awful even the villa dog Dinah had a hard time swallowing it. The kilo of sweet potatoes I bought, even though they were labeled as such, turned out to be, well, not so sweet. They obviously had the wrong tag on them…

After making the not-so-sweet potato and ginger soup with shrimps with Desak, we decided that the local pumpkin would be a better fit for her future efforts. It’s an easy soup to make and you can store it for a couple of days – perfect for a villa full of guests.

My prawns with avocado dish was abandoned, due to the rock-hard avocado, but I did show her how to grill prawns quickly marinated in soy and sugar. The rest of the prawns got used in the colcannon, which was part of the recipe anyway.

With some leftover salmon, we made some ginger scallion noodles, using the ginger scallion sauce recipe from New York chef, David Chang, somewhat overly famous for his Momofuku restaurants. Both ginger and scallions are plentiful on the island. I then taught Desak a couple of the classic sauces that generally accompany steak – a mushroom sauce and a pepper sauce – which she both loved.

Over the course of one long day and lunch and dinner, Desak and I cooked together, and the four of us (including Lara’s mother, who was visiting for a week) ate all the dishes together. As we ate we discussed the dishes, the ingredients we used, what could be used in their place, and how Desak could vary the recipes – like cooks and foodies anywhere.

Desak said it was the best food she’d eaten. Ever. But most of all she was really happy about what she had learned – and I was happy to have given her a few new ideas for her repertoire. I was exhausted afterwards, but a couple of days later, on our very last morning in Bali, Desak said she had a surprise for me…

Just one hour before we left for the airport Desak presented us with plates of ginger scallion noodles topped with perfectly grilled prawns. It was delicious and she was justifiably proud of them. It made it all worthwhile.

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Weekend Eggs: the Bali Edition

One of the things we are certainly not missing this year is the hotel breakfast. The repetition of crowded breakfast rooms, people eating like there is no tomorrow, and overcooked or runny eggs has seen us skipping many a hotel breakfast in the past, particularly if we had an espresso machine in our hotel room.

But what we did like was when we stayed at a hotel catering to Asian guests. There always seemed to be a congee simmering away in a pot, with a wide array of condiments to spice up the rather homely rice broth. In Bali and Indonesia, congee is known as bubur.

After a couple of days of scrambled eggs and the thin local omelettes, Desak, our cook at the villa, made her local version of congee, bubur ayam, served with chicken (ayam).

Where are the eggs, considering you’re calling these posts ‘Weekend Eggs’ you’re asking? Well that’s a great question! I asked Desak for a local breakfast dish that had eggs in it and she suggested the bubur ayam, which has a shredded omelette sprinkled over the top. Good enough for me, considering that this is the last Asian stop on our Grand Tour.

It’s quite a simple dish. Rice cooked with some garlic with a chicken breast poaching in the pot. An omelette chopped into strips and placed on the rice porridge with the poached chicken meat shredded on top as well. Add some condiments and you’re done.

While the dish itself is not spicy, the condiments can be. Desak has a fondness for serving kecap mani (sweet soy sauce) and lethal, tiny, chopped green bird’s-eye chilis in a small bowl with just about everything, so if you think your congee is bland a small amount of this mix will fix it! The soy is essential to flavour the dish even if you don’t want the chilis. It’s probably best to take a spoonful of the soy without the chili slices if you don’t like the heat.

The most intriguing ingredient in the dish is the semi-dried ‘beans’ from the long beans (kacang panjang) that grow so prolifically here in Bali. Desak called them ‘peanuts’, but while they superficially had the look of peanuts, they had much more of a crunch. Desak adds some dried Indonesian bay leaves to the stock, but if you can’t find them just use normal bay leaves.

It’s a delicious, filling breakfast, great after a morning surf or swim and you’ve burnt up some calories.

Ingredients (serves 2 hungry people)
1 egg
1 chicken breast
1 cup of rice
½ cup of beans
1 clove of garlic, slightly crushed
1 handful parsley, chopped
Dry fried onions
Several small green bird’s-eye chilis, chopped finely
½ cup of kecap mani (sweet soy sauce)

Directions
1. Put the rice and 2 cups of water in a saucepan over high heat.
2. When it starts to boil add the garlic and the chicken.
3. Cook for 15-20 minutes; the chicken should be cooked through.
4. Make the omelette by breaking the egg, and mixing and cooking it thinly in vegetable oil.
5. Cut the omelette into strips. Shred the chicken, making sure it’s cooked right through. Some Balinese will then fry the chicken but Desak does not.
6. Pour some sweet soy sauce into a small bowl and add the chopped chilis.
7. Distribute the ‘porridge’ into two deep bowls.
8. Add the shredded chicken, omelette, fried onion, beans, and some chopped parsley.
9. Add a little of the soy sauce to the bowl. Leave the bowl on the table for those who want some of the chilis to give the dish some real kick.

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Bali, a True Surfer’s Paradise

When I was a kid starting to surf in Australia, Bali was a mythical destination.

Surfers would return from Indonesia with tales of epic surf, friendly locals and cheap beer. They would also come back with the scars to prove it too, either from hitting the shallow reefs that lie just a foot or two under the perfect rolling waves, or from motorbike crashes.

Some surfers wouldn’t return for months, knowing that during the time between April and September, when the trade winds blow offshore, that the swell is as persistent as a sarong seller on Kuta Beach.

The famous surfing spots of Uluwatu and Padang Padang on the Bukit Peninsula are legendary and even the tamer surf spots of Kuta Beach and Canggu (the closest beach to our villa) turn on classic surf for much of the winter. Pro surfers on their break from the world tour often make Bali their base for a couple of months before heading to South Africa for the next contest in July.

It’s truly a surfers paradise, and while the beaches don’t compare to Western Australia’s Margaret River region (in my opinion, some the best beaches in the world), the surf is easily as good.

If only the wine was cheaper…

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The Dish, Part 2: Balinese Saté and Ayam Betutu

In the first part of this post we gave you the recipe to make a good batch of delicious – and often fiery – Balinese Sauce. In this part we’ll put it to good use to make two dishes, a Balinese-style saté and ayam betutu.

To make the Balinese style saté with this sauce, you need about 500 grams of a mince of your choosing: you can use seafood (saté lilit), chicken (saté ayam) and pork (saté babi), the most commonly used.

You’ll also need 500 grams of grated coconut, which our villa cook, Desak, grates straight from the coconut herself after ‘smoking’ the coconut shell over a burner on the stove before grating.

Desak uses a mortar and pestle to mix some of the sauce with some of the mince and coconut, gradually adding all of the ingredients, to make a paste of it. Handfulls of the mixture are then put around the bamboo or lemongrass ‘skewers’. The skewers can be refrigerated until needed.

Traditionally the saté skewers are cooked over charcoal and coconut to get a great smoky flavour (a job generally tended to by the men who rule the barbeque!), but they can also be cooked in a moderate to high oven.

For the second dish, ayam betutu, the chicken or duck (bebek betutu) is traditionally marinated, wrapped in a banana leaf, and steamed. The bird is then cooked over coals. An earlier version involves burying the bird, but what we’re after is a more practical version for you to make that doesn’t take hours but still tastes super.

This version is more about the sauce. And while Desak can practically grab a banana leaf out the kitchen window, she says the results can be inconsistent so she prefers to use foil – although I did see a recipe where the bird was wrapped in banana leave and then wrapped in aluminium foil, something I will try.

You should wash and dry the chicken before rubbing in the sauce. Add a couple of tablespoons of oil to the sauce and place some of the mix in the cavity of the chicken. Rub the rest of the sauce over the chicken and wrap the chicken in aluminium foil.

Leave the chicken for at least an hour before placing it in an oven preheated to 355˚F or 180˚C. Cooking time depends on the size of the bird, but you’re looking for a temperature of 180˚F or 82˚C for the bird for it to be cooked correctly.

Serve the chicken on its own or with some steamed rice. It should be one of the most succulent and tastiest chickens you’ve ever eaten in your life. I’m salivating just thinking about it!

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The Dish, Part 1: Basa Gede or Balinese sauce

While perusing the bookshelf at our delightful Villa Tukad, I discovered myriad guidebooks on Indonesia and Bali. There’s a rather dry but informative old copy of a Dorling Kindersley-style Knopf guidebook, a conservative Insight Guide, a detailed Rough Guide to Indonesia, and a couple of insubstantial Lonely Planet guides that appear to pander to pissed-up Australians*.

One Lonely Planet claims Balinese cuisine is “Not as sweet and subtle as the food of the neighbouring island of Java,” while the Rough Guide calls the local cuisine “sweet and not overly hot”. Of the rest of the books, only the Insight Guide really makes an effort to understand the cuisine and the ingredients that distinguish Balinese cuisine from the other islands in Indonesia and the rest of Southeast Asia.

Bali is known for a couple of distinctive dishes, both traditionally only eaten for feasts – babi guling (suckling pig) and bebek betutu (marinated duck wrapped in banana leaf). You can order bebek betutu 24hrs ahead at some restaurants and see suckling pig at roadside stands, but they’re not really the same as the dishes served at ceremonies.

Another dish that is unique is saté, but, unlike Thai satay sticks, it’s not comprised of cubes of marinated meat on skewers cooked over charcoal. Rather, it’s mince (generally seafood, chicken or pork) pounded together with the same sauce that marinates the duck dish, basa gede (commonly written in English as ‘Balinese Sauce’), on ‘skewers’ of lemongrass or bamboo.

While these all sound delicious, it’s difficult to find good Balinese restaurants where you can try them, because sadly the island doesn’t just cater to foreign tourists, it panders and kowtows to them. Generic French, Italian, Mexican, Chinese, Thai, and Japanese restaurants abound, as well as the dreaded ‘International’ places with menus featuring at least one dish from each of the cuisines on the aforementioned list.

Say that you’re going to try street food and the locals get very nervous – they don’t like seeing their guests get the dreaded ‘Bali belly’. There are some restaurants that do feature local specials, but all the guidebooks agree that the best Balinese food is to be found in the home.

Thankfully, we’re in one. And one with a local Balinese cook, Desak, who grew up making these dishes – and she definitely has an opinion on how they should be made. The villa has a menu of local specialities, so every meal has been a cooking lesson as I’ve sneaked into the kitchen to watch her cook.

We tried the local saté first. Both the chicken and pork piqued my curiosity, as Desak served the saté without sauce, saying that the sauce was part of the saté mix of the ground meat. She was right – it was fantastic.

Keen to try another dish that used the same sauce, we asked her to make bebek betutu, however, she said she preferred to make ayam betutu, substituting the duck for ayam (chicken) as she insisted the ducks were not very good around here: “dry and tough” she said. We weren’t going to argue. Especially since we saw the duck looking just that way in a couple of restaurants that specialized in the dish.

Desak’s dish was amazing. Moist and tender, with the sauce providing a complex spice kick that we couldn’t get enough of. We’d enjoyed Desak’s cooking so far, but this was a knockout. Even when we reheated the leftovers the next day the chicken was still moist.

Given that you’re not going to make suckling pig at home, I thought that the most practical dishes to make were the saté and the chicken dish. You can serve the satay as an appetiser and the chicken as a main course. A great introduction – or reminder – of the cuisine of Bali.

Firstly, the sauce. This is one that you simply cannot mix in a blender. Desak says that she has tried it but it simply does not taste the same. Her stone mortar and pestle get a real workout every time she makes it – and she prefers to sit down on the floor to do it as it takes a while to mix it up.

While the sauce may be available as a commercial product, Desak won’t even buy it from women at the local markets who make it at home! Once again, she says that it simply does not taste the same! Blend it if you want, but I’ll take the advice of a local cook over the TV chef I saw making it in a blender the other day.

This recipe makes a good batch of ‘Balinese Sauce’ but double this amount if you’re making the sauce for the chicken as well. In Part 2 of this post I’ll share the recipes for the saté and the chicken.

Ingredients ‘Balinese Sauce’
18 shallots, peeled and roughly chopped
6 cloves garlic, peeled and crushed a little
3 stalks lemongrass, chopped roughly
3 Indonesian bay leaves (dried)
6 candlenuts
2” ginger, peeled and roughly chopped
3” fresh turmeric, peeled and roughly chopped
3” kencur, peeled and roughly chopped
5 Medium red chillies
1 tsp. peppercorns
1 tsp. coriander seeds
1 tsp. shrimp paste

Directions
Get that pestle moving! Put in some of each ingredient and grind and crush the ingredients together, making a paste. Add a little neutral oil to help moisten the mixture if necessary.

* And yes, I am Australian, but a quiet drunk. And, yes, I used to write for Lonely Planet.

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Price Check: a Bali Shopping List

Price Check is a series of posts from every destination we visit that could serve as a shopping list to stock the kitchen at the start of your stay, as well as a cost of living index in a way. We’re including some basic items to get you started plus a local specialty or two from the place.

If you’re staying in a holiday rental in a village like Tumbak Bayuh in Bali, as we have been, you could find yourself a little frustrated by shopping in Bali, and might be happy to hand over the task to your villa cook if you have one.

While locals generally shop for fruit and veg at the nearest village market, and they’re certainly fun to wander around, according to our villa cook Desak, the quality of produce at the markets is nowhere near as good as the supermarkets.

When it comes to shopping the supermarkets, we have a choice of a handful of medium-sized places nearby such as Tiara, or heading into Seminyak to Bintang supermarket or the gourmet Bali Deli, or to the colossal Carrefour in Kuta, a 30 minute or so drive away depending on traffic. In emergencies, there are tiny warung, or simple convenience stores-cum-snack bars in shacks that dot the village, and plenty of 24-hour mini markets on the road into Seminyak – with plenty of beer, soft drinks and junk food.

Supermarket shelves are crammed with all kinds of Indonesian products, along with the ubiquitous ‘Western’ products seemingly found in every supermarket around the world, from Lipton tea to Nescafe coffee. But the highlight of shopping here must be the array of delicious fruit, from yellow watermelons (that seem to get sweeter by the day) to sublime orange paw paws.

While prices aren’t as low as we were led to believe – and indeed some things are expensive, such as a bottle of Hatten wine (above) – for travellers needing to stock up on toiletries, toothpaste, deodorant and shampoo and conditioner are all ridiculously cheap.

2 litre water R21,000 £1.53 US$2.32
1 litre milk R13,550 £0.99 US$1.50
Bottle of local wine R150,000 £10.95 US$16.58
650 ml Bintang beer R20,000 £1.46 US$2.21
100g Nescafe R73,150 £5.34 US$8.09
250g Java organic coffee beans R59,330 £4.33 US$6.56
Lipton’s tea 50 bags R15,000 £1.09 US$1.66
1 kg sugar R11,330 £0.83 US$1.25
Jar of blossom honey R8,970 £0.65 US$0.99
1 loaf of bread R9,670 £0.71 US$1.07
250g quality butter R21,980 £1.60 US$2.43
200g NZ cheese R17,400 £1.27 US$1.92
500 ml oil R51,300 £3.74 US$5.67
1 doz organic eggs R16,200 £1.18 US$1.79
1 kilo tomatoes R22,000 £1.61 US$2.43
1 kilo onions R14,520 £1.06 US$1.61
1 kilo apples R21,880 £1.60 US$2.42
250g pistachios R9,500 £0.69 US$1.05
1 dragonfruit R18,980 £1.39 US$2.10
Total: R575,760 £42.02 US$63.65
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Getting Giddy with the Gamelan in Ubud

As a musician, the gamelan and its music has always intrigued me. This Indonesian ensemble of metallophones, xylophones, gongs and various other instruments is wonderful to listen to, but I have little idea of how the hell they make that enchanting noise. Is there a score they’re all following? Are there different instruments and different numbers of instruments in different gamelan groups? How are they tuned?

All was to be revealed during a gamelan workshop at Arma, a museum and cultural centre in Ubud, a town that is one of the main centres of the gamelan in Bali. I was promised that I’d learn about the history of the gamelan, the role of the gamelan in the village context, see a demonstration by master musicians, as well as learn to play something.

The teacher, benevolently blessing me with a fine example of Bali ‘rubber time’, turns up late, shakes my hand, explains that he doesn’t speak English, by saying “sorry, I don’t speak English”, moves a couple of chairs around, reads the headlines of the newspaper, and checks his text messages, before handing me a little wooden hammer and gesturing for me to sit down at one of the metallophones opposite him. I guess there’ll be no formal introduction or music theory then. That’s ok, I like to play by ear.

He starts by playing a little scale. It’s pretty easy to follow and this is how children learn to play in the villages of Bali, where a gamelan ensemble is as common as a warung, the ubiquitous small grocery shops found all over Bali. Watch the teacher and repeat. Subtlety and complexity comes later. Just learn the notes for now.

I’m following him pretty well – it’s only four bars of music – but then he shows me what I have to do next just as I’m striking the next note. With the thumb and forefinger of my left hand, I follow one note behind and mute the last note hit to stop it ringing, as the metallophone has a beautiful, long, ringing sound. Once again subtlety comes later as I figure that I need to be a little more nuanced about stopping the good vibrations coming from each note. It’s a musical cross between juggling and spinning plates.

Soon my teacher appears bored and starts checking his text messages again while he keeps beat while I practice, so I ask him for more musical pieces to learn. He plays me a small motif of two parts that’s not that hard, but the last bar of the music is halved as you start the next ‘loop’ of the piece.

The root note that is the first note and the last note played in the piece is not repeated as the loop starts again and it freaks out my Western-trained sense of musical order. But as I start to ‘get’ the piece he takes a little more interest – he knows he has a pupil as willing and eager as a young student, except this one is starting to perspire awkwardly in his sarong. Yes, I’m wearing a sarong – it wasn’t my idea, it’s the house rules that Lara insists I follow.

I’m getting the hang of it when he plays the piece again, except now he’s hitting every note twice. While my left hand knew what the right hand was doing, now I’m flummoxed. I start muting the key I’m hitting or losing track of the melody. I start reverting to classic 4/4 time and ruin the last bar of the piece. What’s not helping is the fact that I think my teacher has turned to the ‘help wanted’ pages of the newspaper. When I do have his attention, someone else who works with him comes up, picks up the newspaper, and starts reading it.

I ask for a break and take a walk to adjust my sweaty sarong. I know that if I nail this piece – I’ve been hammering like a carpenter for an hour now – he’ll play the counter melody that I love about this music.

I start practicing really slowly and quietly, almost half-speed (a technique often used to learn a complex piece, although this one is really not), and eventually get it together, crossing hands almost without thinking, and at last bring a little more subtlety to my playing.

My teacher returns and joins in. He starts playing the counter melody and I’m immediately lost. He resists the temptation to check his phone and runs through it with me again. Instead of enjoying his wonderful playing, I concentrate on my piece. It’s like those ‘row, row, row your boat, gently down the stream’ singalongs I remember as a kid.

My teacher now starts with more dynamics – we go soft for a few sequences of the melody, and then loud. The two melodies sound wonderful together, particularly when it’s played quietly, and I manage to go through one whole piece with him slowing down at the end as we both hit the last note in time. Wonderful! He seems pleased with my ability to do something a Balinese ten-year-old can do in his sleep.

Later, when I watch the videos back (see the one below), I can see that while I’m concentrating like a chess player on a one-minute timer, he’s playing his melody while not even looking at the damn metallophone. He was probably mentally ordering his lunch.

We shake hands and say goodbye, my teacher happy to return to more productive things, like reading the obituaries, and me to wonder how I can fake my way into an ensemble to be part of this chaotic, beautiful, mesmeric noise.

I’ll even wear a sarong.

Getting Giddy with the Gamelan in Ubud from Gran Tourismo on Vimeo.

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A Stroll Around Our Balinese Villa Gardens

The gardens of our Balinese villa are so gorgeous, we decided to devote a whole photo gallery to them instead of including them in our ‘Home Away from Home in…’ post as we usually would.

The place is so beautiful and the gardens so tranquil that even when we had to work it was a joy to sit at the dining table on the veranda and take in the beauty of our surroundings as we listened to the wind, the birds, and the other animals around us.

At times we could hear the sound of workers chatting in the rice paddies, and the hollow tins of their mechanical ‘scarecrow’ devices rattling in the wind. At other times, especially at night, we would hear the haunting sound of singing and drums from ceremonies at the nearby temples carried on the breeze of the windy season, or ‘kite season’ as the locals call it. Magic.

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Grantourismo Travel Blogging Competition: July

We’re excited to be announcing the fifth contest in our yearlong series of monthly Grantourismo travel blogging competitions. This month, we’re inviting you to produce an inspiring blog post comprised of one (1) stunning photograph* that captures the spirit and colour of a local festival and 250 words* that describe the event and why it affected you.

Your local festival could be cultural or social, exuberant or somber, celebratory or serious, religious or spiritual, gay or straight, an art or music event… you name it, anything festive should fit the category. In your 250 words try to communicate what your image doesn’t show us: what it is, why and where it’s held, when it’s on, why you were there, and how you felt.

If your post also touches on some of our other themes, and motivates people to explore more authentic and enriching ways to travel, get beneath the skin of a place when they travel, learn to live like locals, and travel more slowly and more sustainably, then that’s great too.

It’s important that your story and photograph must be your own, they must be original, they should derive from a firsthand travel experience you’ve had, and they should not have been published elsewhere. *Make sure you do not submit more than 250 words and you only post one (1) photograph, otherwise your entry will be disqualified.

FIRST PRIZES A stay at a HomeAway Holiday-Rentals property of your choice anywhere in the world valued at UK£500/US$750, a Context tour voucher worth US$100, and an Olympus FE-4040 compact camera worth £125/US$190.

SECOND PRIZE a Viator tour voucher worth £100/US$150 and a private half-day tour with a local guide in a destination of your choice anywhere in the world from Our Explorer.

THIRD PRIZE an annual subscription to AFAR magazine.

The winning entry will be featured on GrantourismoHomeAway UK’s Facebook page, and weHomeAwayUKViator and Context will tweet your success on Twitter.

To be eligible to enter
Entry submission is by posting and linking, and communication is through the Comments below and by Twitter, which means:
1. You must have your own blog/site, contribute to a group blogging site, or post to travel sites like www.matadortravel.comwww.bootsnall.comwww.travellerspoint.com,www.travelpod.com 2. You need to subscribe to Grantourismo via email/RSS, join our community on Google Friend Connect (sign up from http://grantourismotravels.com/ not from this post’s URL as it will not work); and join HomeAway Holiday Rental’s Facebook page to enter.
3. You need to follow @Gran_tourismo and @HomeAwayUK on Twitter, then alert us on Twitter that you’re following us for the #GrantourismoComp and we will follow you back.

How to enter
1. Upload your original entry to your blog before end of 31 July. The sooner you do it the better it is for you, because we’ll visit your site to read your post, tweet about the entries, and other entrants will also visit your blog for inspiration.
2. Identify at the beginning or end of your post that “This post has been entered into the Grantourismo and HomeAway Holiday-Rentals travel blogging competition” and link to this post (so your entry appears in the Trackbacks below) and www.homeaway.co.uk. Tag the post with ‘Grantourismo’ and ‘HomeAway Holiday-Rentals’ so we and others can easily search for it.
3. Leave your name and link to your post in the Comments below – this serves as your submission. If there is no obvious way for us to contact you to notify you if you’ve won, then please leave your Twitter address below.
4. Tweet us on Twitter @Gran_tourismo and @HomeAwayUK to tell us your post is up, using#GrantourismoComp in your tweet, which makes it easy for others to find your entry also.
5. Encourage your blog readers and followers on Twitter to engage and re-tweet your entry post. We’re keen to hear their thoughts.

Winning Entries
1.We will notify winners by Twitter or email by 3 August.
2.Winners will be required to email us their photograph and blog post for publishing.
3.The winning entry will be posted soon after 4 August.

For more details, read the fine print below. If you have any questions, pop them in the Comments below.

The Fine Print – Terms and Conditions
1. Grantourismo monthly competitions are open to anyone aged 18 years or over except anyone professionally associated with this competition or the sponsors.
2. All information detailing how to enter the competitions forms part of these terms and conditions. It is a condition of entry that all rules are accepted as final and that the competitor agrees to abide by these rules. Submission of an entry will be taken to mean acceptance of these terms and conditions.
3. Submissions must be original, should not have been published before, should not appear on other blogs or websites, and should not infringe any copyrights.
4. Winners will be chosen by a judging panel consisting of HomeAway Holiday-Rentals staff; Scott McNeeley, Editor of the Viator blog; Context Travel staff; and Lara Dunston and Terence Carter. Judges decisions are final. The criteria used will include creativity, originality and quality of writing and photography, ability to engage an audience, and ability to inspire.
5. HomeAway Holiday-Rentals is offering a prize of £500/US$750 towards a stay in one of their properties listed on the HomeAway Holiday-Rentals website. The stay must be a minimum of 2 nights, although can be longer. The winner must use http://www.homeaway.co.uk/ to book the property. HomeAway Holiday-Rentals will release the funds to the property owner and transfer the remainder to the winner to be used toward the trip.
6. Winners will be required to write about their prizes on their blogs, link back to Grantourismo, HomeAway Holiday-Rentals, and the prize sponsor(s) above, and tweet about the post, using #GrantourismoComp.
7.Property stays and tours must be used within 12 months of notification.
8. While copyright of all submissions to the Competition remains with the entrants, winning entrant grants worldwide, irrevocable, perpetual licence to Grantourismo, HomeAway Holiday-Rentals and the sponsors to feature the winning entries on their websites, blogs, or in any publications or promotional materials connected to this Competition.

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Tokyo Reflections and Travel Tips

For the first time on our Grand Tour this year, in Tokyo we got to play at being tourists. It wasn’t because we hadn’t been to Tokyo before (we had), but because it was so long ago (a stopover 17 years ago!) it was as if we were visiting for the first time. Experiencing the city as wide-eyed travellers gave us plenty to reflect upon. Here are some thoughts…

ON GUIDEBOOKS
In Tokyo, it was the first time we felt the need to carry around a guidebook so far on the trip. In Jerez, Ceret, Perpignan and Kotor, all small- to medium-sized villages and towns, which we were also visiting for the first time, we relied on advice from locals and used our travel skills and instincts to settle in, get around, figure out the lay of the land, where we should eat and drink, and what we should do and learn. We didn’t need or miss having a guidebook until Tokyo.

Lesson learned: guidebooks can be helpful in big cities like Tokyo, especially for their maps (when the maps are accurate, that is), their background, historical and cultural info, and for pointing you to particular areas if not specific places. When they’re full of errors, mischaracterizations and poor recommendations, however, as one was that we used, you’re better off without them and the frustration they cause.

ON COMMUNICATION
Why was our Tokyo experience so different to other destinations, even though we’d been before? Well, for one thing, there’s the language barrier. Unlike our first trip 17 years when we don’t recall seeing anything in English at all, but do remember clutching onto the bit of paper bearing the instructions the hotel staff had written down for us for the day in Japanese, nowadays there are helpful bilingual signs everywhere. However, while we’re trying to pick up as many words as we can wherever we go for Grantourismo, it’s difficult to learn very much at all in Tokyo in two weeks without formal language classes.

While we met many friendly Tokyoites who spoke English, we also met many warm souls who didn’t speak a word at all. Most eateries we ate at didn’t have English menus, but that wasn’t a major problem – we could always point to the photo menus or the deliciously kitsch and incredibly helpful plastic food replicas in the windows of many restaurants where food is prepared out of sight. Plus we always seemed to meet other customers who made helpful suggestions.

Lessons learned: human beings will always find ways to communicate, but next time we return to Tokyo we’ll enroll in language classes as soon as we arrive – and in the interim, we’ll work on our miming skills.

ON SIGHTSEEING VERSUS GOING LOCAL
As per Paris and Venice, where we didn’t tick off any major sights this trip, we didn’t visit the Imperial Palace or Tokyo Tower here either. Nor did we do any iconic activities, such as attend a tea ceremony or sumo wrestling match, apart from visit the Tsukiji fish markets, but then we shop the local markets in every place we stay.

Perhaps more than any other destination, in Tokyo we really delighted in wandering the streets and taking in the rhythm and colour of everyday neighbourhoods. We still learned things from locals, though in a more informal way, from visiting the fish markets with food expert Etsuko Nakamura to talking sake with food and drink writer Melinda Joe to getting a lesson in pop culture from authors of books on robots and monsters. In all cases, we connected with these locals using social media, via their blogs or on Twitter.

Lessons learned: This one was a lesson we learned long ago, and was one of the reasons we embarked on Grantourismo: rather than do the things we feel we should do when we visit places, pursue our own interests in any way that it seems to make sense – it just so happens that for us those ways involve connecting with locals, both in the ‘real’ and social media worlds.

Our Tokyo Tips

Rent an apartment: nowhere does a holiday rental make more sense than an expensive hotel room than in Tokyo; see our reasoning here.

Take the Airport Limousine Bus Service: if flying into Tokyo, figure out which is the nearest hotel to your apartment, then take a ‘limousine bus’ there. Tickets cost just Y3000 (around £32) compared to a £165 taxi ride – buy them at the desk at Arrivals. Porters take care of your luggage and on arrival hotel staff will organize a taxi to your apartment.

Use PASMO for daily transport: buy a plastic PASMO card from the ticket machines at your nearest Metro and whack a couple of thousand yen on it. It’s not necessarily cheaper to use the PASMO (although individual rides on the subway are cheaper in Tokyo than, say, in Paris or London), it’s just incredibly convenient – you swipe it as you go through the gates leading to the platforms (you see the balance every time) and swipe it on the way out again, with no need to pay supplements when you change between private train lines; you can use it on trains, buses and even some drink vending machines; it’s easy to re-charge, with cash or credit card; and you can easily get your Y500 deposit back when you leave.

Carry Maps: pick up a free Tokyo Metro map from the station and carry it with you always, and if you’re staying a week or longer, buy a small bilingual Tokyo street directory.

Navigating Tokyo: identify the nearest Metros and walk to them from your apartment, marking the route on your map. Don’t attempt to walk home from a Metro without having done this (unless you’re using a GPS!) as we guarantee (from experience!) you’ll get lost. Most minor Tokyo streets aren’t named but are numbered. While there are maps at all Metros the top of the Map is not necessarily north, so the direction you need to go in can be challenging to figure out the first few times.

Eat Affordably: it’s a myth that Tokyo is an expensive city – eating here doesn’t have to cost more than any other city – but if you’re on a budget you can save lots of money by buying bento boxes for picnic lunches or when you want to eat in, opting for set meals (many for less than £8/US$10), and eating at noodle shops, yakitori stands and izakaya bars. See this post for more tips.

Free Stuff: there is plenty to do in Tokyo that needn’t cost a thing, from kicking back in the city’s many beautiful parks to strolling the tranquil grounds of shrines. Just walking the streets of the city is a buzz.

If you have any reflections or tips you’d love to share from your travels in Tokyo, please do leave them in the Comments below. We’d love to know what we missed out on so we can do it next time!

Posted in Finding our Feet, Random Reflections, Trip Essentials | Tagged , , , , , , , , , , , , , , , , , , | 3 Comments

Time Travelling in the Gritty Alleys of the Golden Gai

I’m not going to name names, so don’t ask. But a Tokyo-based guide recommended to us emailed me to say he was away on a tour while we were in town. He apologised for not being there to meet us and kindly gave us his number in case we needed help. His one piece of advice: “Avoid the Golden Gai at night – it’s dangerous!”

Fortunately it was too late to take it. We’d already hit Shinjuku’s Golden Gai the night before, getting home in the wee hours after one too many drinks and nursing niggling hangovers. I knew I should have suggested Terence give the shochu a miss and reminded him we didn’t need to try everything in the name of research, we can take a night off every now and again. But we’ve all been there, right?

We had a great time kicking back at the Golden Gai. We returned again, and now we’re gone, I’m missing it. The Golden Gai is the drinking equivalent of Memory Lane (see this post), a nostalgic trip down neon-lit alleys lined with over two hundred tiny, dimly-lit bars that take you back in time, to another era that thankfully still has a place in postmodern, present day Tokyo.

Strolling the lanes of the Golden Gai is like wandering onto the sets of Wong Kar Wai’s In the Mood for Love and 2046, as much for the gritty, ‘exotic’, ‘Far East’ locations and vintage mise-en-scène, as for the sentimental mood the poignant films, and the Golden Gai, inspire. The movies are about love, loss, nostalgia and melancholia, and recalling and recapturing memories. I think that’s what the Golden Gai experience is about too.

Peek into any one of the nomiya – the miniscule counter bars that cradle no more than a dozen punters – and you’ll spy a perspiring salaryman, dishevelled head in his hands, as he pours out his heart to the bartender. In another, a bartender entertains her jolly patrons with stories she’s probably shared countless times, the laughter of her clients filling the place. It’s this intimacy, that can make a visit to a bar here feel as if you’re gate-crashing a private party, that outsiders can find either appealing or intimidating.

The atmosphere of each of the bars reflects the musical tastes, style and interests of their owner-bartenders for whom the bars are a second home, or, in some cases, it could even be assumed from the cosy décor, their main domicile. This means you can expect to find anything from a bopping jazz and blues bar to a blackened heavy metal joint. It also means that requests probably won’t be welcome, so do a lap of the ’hood and choose your bar carefully before pulling up a stool.

The guidebooks warn that the Golden Gai isn’t very foreigner-friendly. As we’d later learn their writers, as well as their readers, simply misunderstand the unwritten rules. The guidebooks suggest that La Jetée, a bar behind a closed door, up a skinny flight of rickety stairs, with an English-speaking owner, is one of only a few that welcome strangers – ordinarily, considering our mission, good reasons to avoid it.

But being a fan of the Chris Marker film the diminutive bar is named after – a movie about time travel and memory in which scientists send their victims to different periods “to call past and future to the rescue of the present” – I couldn’t not visit the bar, could I? The owner, I had also read, was a devotee of Jean-Luc Godard, whose films I once wrote a thesis about, and Wim Wenders, another inspiration for this former filmmaker. When in town, Wenders drops by for a drink and filmed at La Jetée for Tokyo-Ga, his film about Ozu and Tokyo, and one of the most sublime documentaries ever made. How could I not check it out?

When we open the door at the top of the stairs, we find a table of four young locals and one other drinker at the bar. We squeeze in next to him and the bar is full. The owner, Tomoyo does speak English, she is welcoming, and La Jetée is like her home, its wooden walls plastered with old movie posters and shelves stacked with tapes with handwritten covers.

Over vodka and beers – Tomoyo drinks too – she tells us she opened the bar in 1974. “But how could you?” Terence flatters her, “You were just a baby!” “I mixed drinks with water,” Tomoyo responds dryly.

We chat about Tomoyo’s music selection (French chanson when we arrive, Natacha Atlas by the time we leave) and the collection that crams the shelves on her walls – everything from Nina Simone to Sonic Youth – much of it given to Tomoyo by clients. To Terence’s surprise, her favourite band is Tortoise. We talk about Tokyo (Tomoyo recommends we visit Tsujiki fish markets; on her one day off, she heads to Shinjuku Park), the bar (most regular customers drop in at least once a day), and the Golden Gai. Surprisingly, in hindsight, we don’t get around to talking film.

“Foreigners don’t understand that we have customs here in the Golden Gai,” Tomoyo tells us, after learning we’re writers, as if appealing to us to share them. “It’s a very traditional way of drinking here.”

Before leaving, we ask Tomoyo if we can take a few photos of her bar. Would her customers mind, we ask?

“Ask them yourself,” she says, “They speak English. They’re filmmakers. A couple even live in New York.” Of course.

Tips for Barhopping in the Golden Gai

  • Bar rents are high, space tight and customers few in the Golden Gai, which explains why most bars have a cover charge, generally chalked along with drink prices on a blackboard outside – if they’re not and you’re on a tight budget, ask the price before sitting down.
  • Some bars offer discounts or waive cover charges for foreigners – this is generally for a good reason, but all the same, these might be a good place to start if you’re watching your wallet.
  • It’s a custom in the Golden Gai that if a bar is full and new customers arrive, and the group inside has been there a while, the people who have been there the longest should give up their seats first. According to Tomoyo, many foreigners don’t know this and don’t always budge when they should. This probably explains occasional tensions. The rule is simple: don’t overstay your welcome.
  • “If you really want to drink at a particular bar,” Tomoyo suggests, “just go and have a drink at the bar next door or opposite and wait your turn.”
  • It’s easy to lose track of time in the Golden Gai, so if you miss your last train, you’ll find plenty of taxis on Yasukuni Dori, along with an ATM (and clean public toilet!) in the 24 hour mini-mart.
  • No matter how much you feel like kicking on, avoid doing it in the nearby red-light district of Kabukicho (which begins beside the mini-mart). Now that’s an area that can get dangerous.
Posted in Entertaining, Food and Wine | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

A Trip down Omoide Yokocho (Memory Lane) in Shinjuku

Many people think of Tokyo as a high-tech, high-rise city and while that is true to a certain extent, it’s not the complete picture. Tokyo boasts charming, low-rise, traditional neighbourhoods such as Yanaka and Asakusa (which we wrote about here), but more surprisingly there are atmospheric old quarters hidden right amid the neon-lit towers of Shinjuku, such as the tiny area tucked beside the railway line known as Omoide Yokocho or Memory Lane.

A black market after WWII, these skinny lanes of rickety buildings are home to dozens of smoky yakitori and izakaya bars that are famous for their grilled skewers and wok-fried noodles cooked over open flames. Ironically, the very thing that makes the place so beloved by regulars is what for many makes the place little more than a fire hazard.

Indeed much of the neighbourhood was actually rebuilt in 1999 after fire raged through the old wooden structures. A complete demolition of the area has long been talked about, but fortunately these little eat streets still thrive, with workers filling the bars nightly to line their stomachs or soak up the alcohol with this fantastically affordable fast food.

Also called Shonben Yokocho or ‘Piss Alley’, the area gained its name from its lack of toilet facilities, and while there are toilets here now, it’s a small concession to the atmosphere of the place.

While this may not be the best spot to come on your first night in Tokyo if you’re not with a Japanese speaker – there are no menus in English and few staff speak English – we managed to make friends and get by okay with lots of pointing and a little help from our new mates. It’s also not a good place to come in a group larger than three or four as you’ll find it hard to get seats for two in the tiny eateries.

Having said that, Memory Lane quickly became one of our favourite places in Tokyo, and one we returned to – as well as being one we think should be preserved at all costs.

When you go, whatever you eat (here’s a guide), be sure to have a shot of shochu with soda and lemon, called a chuhai, and toast kampai! to an area in the heart of Tokyo that still oozes plenty of post-war charm.

Posted in Eating Out, Food and Wine, Under the Skin | Tagged , , , , , , , , , , , , , , , , , , , , , , | 2 Comments